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Wednesday, May 11, 2011

Girl in a coma / Series on paper

'Girl in a Coma I', 2010 - acrylic on paper, 24x30cm - © Michiel Keuper


'Girl in a Coma II', 2010 - acrylic on paper, 24x30cm - © Michiel Keuper


'Girl in a Coma III', 2010 - acrylic on paper, 24x30cm - © Michiel Keuper


'Girl in a Coma IV', 2010 - acrylic on paper, 24x30cm - © Michiel Keuper

Series of quick paintings with acrylic on paper, at the end the day, with left overs of paint. After a photo of a 9 year old girl in a coma, being in a vegetative state for years. I had this photo stuck on my wall for a long time, fascinated by this state of being and not-being.


Wednesday, May 04, 2011

Live at KEXP Seattle / The Tallest Man On Earth




Ok, I'm tempted to copy all of the 6 videos from this live concert in this post, but you better look for them online. Instead a selection of my favorites. Listen to the complete audio of this 30 minute concert here: http://feeds.kexp.org/~r/kexp/liveperformances/~5/yvJ75dadj7E/3b6663d6-a1d8-411f-9bcc-3a1d35bd994e.mp3 Also you can download this as a podcast from the KEXP website, here (look in the right 'on demand'-column). The KEXP youtube channel, with a lot more other interesting studio live tracks, you find here.

Back to The Tallest Man... aka Kristian Matsson, the singer/songwriter from Sweden... indeed he is an amazing guitar player and certainly has a Greatest voice... And gosh, do I now wish I'd learned to play the guitar as a teenager, instead of the saxophone... dammit!






Monday, May 02, 2011

Kinetics / Cory Arcangel's dancing shelves at Hamburger Bahnhof




In january I saw this kinetic installation of 2 pairs of dancing shelves by Cory Arcangel in Hamburger Bahnhof. The 'soundtrack' in the clip is coming from his video installations, one of them featuring Jimi Hendrix playing his guitar. In the clip you see a glimpse of that on a monitor on the wall.
The heart of the exhibition (still up till 28 august 2011) is the two-screen installation 'a couple thousand short films about Glenn Gould' from 2007. Arcangel's video version of the 1st Variation from Johann Sebastian Bach's Goldberg Variations, entirely constructed from downloaded youtube material.


Cory Arcangel - a couple thousand short films about Glenn Gould, 2007
© Courtesy the artist and Galerie Thaddaeus Ropac, Paris/Salzburg


"Compiled from over 1100 individual snippets that the artist downloaded off the Internet and edited using software that he himself devised, we are treated to a video version of the 1st variation from Johann Sebastian Bach's Goldberg Variations. At a bewildering speed, the images alternate from person to person as each individual plays a completely different instrument, each time performing a single note from Bach's composition. The pianist Glenn Gould used the technique of piecing together various recordings to produce his commercial records, something which Archangel takes here to its humorous extreme." (via website Hamburger Bahnhof)


Cory Arcangel - a couple thousand short films about Glenn Gould, 2007
© Courtesy the artist and Galerie Thaddaeus Ropac, Paris/Salzburg



Juxtapositions / And the series continues... on a separate blog

Peter Lindbergh - 1994

Paul Strand - 1951



Since I started the juxtapositions-series, it has become a story on its own. It turns out to be addictive to find matching pairs of paintings, photographs or other works of art, that somehow relate to each other. Sometimes from different disciplines, sometimes from different eras. The one inspired by the other...? Intentional quoting...? Subconscious coincidence...? Homage...? Zeitgeist...? Not that it really matters, good art is good art I suppose, yet it is fascinating to discover parallels and connections. 
Just couldn't stop and still can't. However, since I intended this blog to have a personal character, whether it is by posting my own work, or indirectly by posting stuff that interests me, or by sharing my thoughts, the juxtapositions seem to be playing a slightly different role. Sure they show my vision, or my artistic preferences for that matter, since I'm the one who juxtaposes, but apart from that, it generally is not my own work, nor do I put any comments other than creating a dialogue between the images by juxtaposing them. So, in order not to confuse, I decided to create a separate blog. From now on, if you're interested, please check mfk / juxtapositions for regular updates.


www.mfk-juxtapositions.blogspot.com



Tuesday, April 26, 2011

Saturday, April 23, 2011

Self reflection / Manet's 'Le Déjeuner dans l'Atelier' from 1868

self reflected in Manet's 1896 'Le Dejeuner dans l'Atelier' - photo mfk

Last week I spent a lot of time in museums in Munich and Stuttgart doing research. Mondrian/de Stijl, Cy Twombly, Alex Katz, Isaac Julien's 9-screen-video-installation 'Ten Thousand Waves', Michaël Borremans to name but a few exhibitions, and of course I was with my nose on top of some masters too. Here is proof. (click to enlarge)


Édouard Manet - 'Le Dejeuner dans
l'Atelier', 1868, close up - photo mfk


Édouard Manet - 'Le Dejeuner dans l'Atelier', 1868 - oil on
canvas - Neue Pinakothek, Munich - via rasiel.com




Saturday, April 16, 2011

Juxtapositions VII / Chuck Samuels & Helmut Newton

Chuck Samuels - After Newton, 1991 - with Sylvia Poirier, from the series Before the Camera

Helmut Newton - Jenny Capitain, Pension Dorian, Berlin 1977


Monday, April 11, 2011

Hands on / Lauren Hutton, Richard Gere & Tumblr

Lauren Hutton and Richard Gere at the premiere of 'American Gigolo', 1980

photo by Knotan for Sang Bleu via sangbleu.tumblr

























yup. nice hand. nice tattoo.


Wednesday, April 06, 2011

Under the Radar / paintings & drawings

'Man and Horse', 2011, detail - oil on canvas

On march 25th I presented paintings and works on paper at 'Under the Radar' at RufReaktor, an environment for local and international artists, located on the attic of an old brewery in Berlin-Friedrichshain. The evening featured 2 DJ's, 3 bands and 4 artists. I put up a selection of drawings on magazines and some recent paintings that followed out of magazine drawings. Also I put up a big scale painting on paper that I'd done in the fall and that I'd forgotten about until I saw the RufReaktor space. I think it suited the place and the event.

Under the Radar, overview - march 2011

Under the Radar - march 2011


from the series 'Past Present (Past Presence)', 2010/11 - acrylic, ink on magazine 

'Man and Horse', 2011 - oil on canvas, 40x50cm

Under the Radar - march 2011


No title (reclining), 2011 - acrylic on canvas, 70x90cm

No title (reclining), 2011, detail - acrylic on canvas

Under the Radar, march 2011 - overview

'Joker (Boy)', 2011 - oil on canvas, 46x60cm

'Joker (Boy)', 2011, detail - oil on canvas


Under the Radar, audience - march 2011

Under the Radar, overview - march 2011

all photo's © Michiel Keuper 2011

Wednesday, March 30, 2011

Springtime / Raise your hands up in the air

Past Present (Past Presence), 2011 - ink, acrylic on magazine
Past Present (Past Presence), 2010 - ink, acrylic on magazine


all drawings © Michiel Keuper



Wednesday, March 23, 2011

Juxtapositions VI / Ingres & Tumblr

Ingres - La Grande Odalisque, 1814, oil on canvas, 91x162cm, Musée du Louvre


via Tumblr, 2011


Monday, March 21, 2011

Under the Radar / music, art and ideas

























I'll be showing some of my paintings and works on paper during this one-evening event, this coming friday March 25 at RufReaktor in Berlin friedrichshain. For more info and location click here.

Saturday, March 19, 2011

Juxtapositions V / Helen Frankenthaler & Saul Leiter

Helen Frankenthaler - Portrait of a Lady in White, 1979, acrylic on canvas, 209x123cm


Saul Leiter - Street Scene, 1959

Monday, March 14, 2011

Peter Orlovsky / Frist Poem

Peter Orlovsky - Venice, September 1957. Photo © Allen Ginsberg Estate


FRIST POEM
A rainbow comes pouring into my window, I am electrified. 
Songs burst from my breast, all my crying stops, mistory fills 
    the air. 
I look for my shues under my bed. 
A fat colored woman becomes my mother. 
I have no false teeth yet. Suddenly ten children sit on my lap. 
I grow a beard in one day. 
I drink a hole bottle of wine with my eyes shut. 
I draw on paper and I feel I am two again. I want everybody to 
    talk to me. 
I empty the garbage on the tabol. 
I invite thousands of bottles into my room, June bugs I call them. 
I use the typewritter as my pillow. 
A spoon becomes a fork before my eyes. 
Bums give all their money to me. 
All I need is a mirror for the rest of my life. 
My frist five years I lived in chicken coups with not enough 
    bacon. 
My mother showed her witch face in the night and told stories of 
    blue beards. 
My dreams lifted me right out of my bed. 
I dreamt I jumped into the nozzle of a gun to fight it out with a 
    bullet. 
I met Kafka and he jumped over a building to get away from me. 
My body turned into sugar, poured into tea I found the meaning 
    of life 
All I needed was ink to be a black boy. 
I walk on the street looking for eyes that will caress my face. 
I sang in the elevators believing I was going to heaven. 
I got off at the 86th floor, walked down the corridor looking for 
    fresh butts. 
My comes turns into a silver dollar on the bed. 
I look out the window and see nobody, I go down to the street, 
    look up at my window and see nobody. 
So I talk to the fire hydrant, asking "Do you have bigger tears 
    then I do?" 
Nobody around, I piss anywhere. 
My Gabriel horns, my Gabriel horns: unfold the cheerfulies, 
    my gay jubilation.

Peter Orlovsky, Nov. 24th, 1957, Paris


[from Clean Asshole Poems & Smiling Vegetable Songs, Pocket Poets Series #37, City Lights Books ©1978 by Peter Orlovsky.]




photo © LIFE
"
Peter Orlovsky was best known as Allen Ginsberg's lover and companion of almost three decades, from about the fifties to the seventies. What is less well known is that he was a wonderful poet in his own right. His work has appeared in numerous magazines and antholologies. Peter died May 30, 2010 at the age of 76. 
(...) Peter couldn't spell. Or, let's look at it another way. This is how Peter spelled. I'm assuming that most publishers of his work attempted to keep his own spellings intact. I believe Peter's spelling rendered his thoughts accurately. (...)"


Brian Nation on Peter Orlovsky / 



Wednesday, March 09, 2011

Colour by nature / The blue stork

Blue stork in Biegen, Brandenburg, spring 2010

The secret of the stork... nobody knew how or why... Wonder if he comes back as colourful this year...

Friday, March 04, 2011

Juxtapositions IV / Ed van der Elsken & Théodore Chassériau

Ed van der Elsken, Amsterdam, 1956



Théodore Chassériau - Les deux soeurs, 1843, oil on canvas, 180x135cm, Louvre Paris


Monday, February 28, 2011

Kinetics / Ilona Kálnoky - 'aROUNDme'





Intriguing installation consisting of 5 rotating mirrors. In a way deceptively simple and at the same time compelling. The kind of installation so ingenuous and therefore the more surprising in its effect that it makes you wonder why nobody came up with this idea before. Or even: 'I could have thought of this...'. But then... I didn't.
In that regard it reminded me of some of the installations of Olafur Eliasson, who by the way was also a participant in this group show at Galerie Niels Borg Jensen.  
The exhibition 'Space Invasion' showed works of artists who work around the concept of 'space' as well as 'body in space'. As the gallery is exclusively dedicated to print making and sets out for contemporary artists "to work with print media", most of the works exhibited were prints. As such, the Kálnoky installation 'aROUNDme' was an exception to the rule. A beautiful exception.
Other participating artists were Olafur Eliasson as mentioned, William Anastasi, Elmgreen & Dragset, Thomas Demand, Kirsten Everberg, Clay Ketter, Eva Löfdahl and Al Taylor.


Friday, February 25, 2011

Tuesday, February 22, 2011

Juxtapositions II / Wolfgang Tillmans & Saul Leiter


Wolfgang Tillmans - 'Lighter III', 2006



Saul Leiter - 'Through Boards', 1957

First there was the visual connection that hit me, leafing through my box with postcards. But only while preparing this post, it struck me that Tillmans' title, 'Lighter III', is a phonetic reference to (Saul) Leiter. Coincidence? One might assume that Tillmans knows the master and it goes in the category 'quoting'. Intentional or subconscious, that remains a question. I'm intrigued since I'm fascinated as much by process as a final art work itself. But in the end, good art is good art I suppose.




Monday, February 21, 2011