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Showing posts with label set design. Show all posts
Showing posts with label set design. Show all posts

Saturday, November 25, 2017

Cranky Bodies Dance Reset/ Premiere excerpt





Cranky Bodies Dance Reset

Concept/ Choreography: Peter Pleyer
Dance/ Choreography: Tamás Bakó, Aleksandra Borys, Marcio Canabarro, Oliver Connew, Mor Demer, Ivan Ekemark, Ka Rustler, Alistair Watts
Costume/ Set/ Visual Actions: Michiel Keuper
Costume/ Set assistance: Martin Sieweke
Music: Marc Lohr
Dramarturgy: Alexandra Hennig
Production: Cilgia Gadola
Production Assistant: Ece Tufan

Premiere 23 November 2017, Sophiensaele Berlin

Wednesday, November 22, 2017

Cranky Bodies Dance Reset/ Set Design


Building the set for Cranky Bodies Dance Reset a choreography by Peter Pleyer at Sophiensaele, Berlin

The excitement of seeing your scale model turning into reality. Cranky Bodies Dance Reset, premiering tomorrow! #crankybodies #setdesign#costumes #visualactions


Building the set for Cranky Bodies Dance Reset a choreography by Peter Pleyer at Sophiensaele, Berlin

Set design for CrankyBodies Dance Reset a choreography by Peter Pleyer at Sophiensaele, Berlin. Scale model

Building the set for Cranky Bodies Dance Reset a choreography by Peter Pleyer at Sophiensaele, Berlin



All photos: Michiel Keuper, 2017



Thursday, November 09, 2017

Cranky Bodies dance Reset/ Costume, Set Design, Visual Actions



Cranky Bodies Dance Reset a choreography by Peter Pleyer. Photo: Michiel Keuper.

Countdown is on. CRANKY BODIES DANCE RESET premiering two weeks from today on November 23! Performance by Peter PleyerAleks BorysMarcio Kerber CanabarroOliver Connew, Ivan Ekemark, Mor Demer Alistair WattsTamás Bakó, Ka Rustler. Music by Marc Lohr. Costume, set and visual actions by me. Assistance Martin Sieweke. Dramaturgy/research Alexandra Hennig. #crankybodies #set#costume


Cranky Bodies Dance Reset a choreography by Peter Pleyer. Photo: Michiel Keuper.

Cranky Bodies Dance Reset a choreography by Peter Pleyer. Photo: Michiel Keuper.

Cranky Bodies Dance Reset a choreography by Peter Pleyer. Photo: Michiel Keuper.
Cranky Bodies Dance Reset a choreography by Peter Pleyer. Photo: Michiel Keuper.


Cranky Bodies Dance Reset a choreography by Peter Pleyer. Photo: Michiel Keuper.

Cranky Bodies Dance Reset a choreography by Peter Pleyer. Photo: Michiel Keuper.

Monday, April 03, 2017

BLUR / Costume and Set Design


In March I designed the set and the costume for BLUR, a solo choreographed by Joanna Lesnierowska and performed by Aleksandra Borys. It premiered 30th March 2017 at Art Station Foundation, Poznan, Poland. I created an assembled wall, consisting of 14 suspended panels, and a yellow jacket between a garment and an autonomous acting object.



From the program:
"Although the principle of ‘blur’ has been introduced into the tradition of European painting already by da Vinci’s sfumato-technique, it is however only after Gerhard Richter (in whose work the phenomenon of out-of-focus and hazy images took such a dominant role) that the blurred surface has become one of central motives in both figurative and abstract paintings as well as photography and post-photography of nowadays. Artists employ the means of blurring intentionally, in different combinations, and following different conceptual and technical strategies. Blurred surfaces, dissolving contours, hazy appearances, indistinct motifs in a state between apparition and dissolution, chaotic accumulation and constant overdose of equally important and unimportant details, dispersed visions and meanings, and aspects of color and composition brought to the fore – with all this in mind, we entered the studio to examine possibility of ‘blur’ in the context of body and choreography."










Photo: Jakub Wittchen



All photos (unless noted otherwise): Michiel Keuper, 2017



Concept/composition: Joanna Leśnierowska
performed by: Aleksandra Borys
set & costume design: Michiel Keuper
light: Joanna Leśnierowska (with research input by Jan Maertens)
sound & technical realization: Łukasz Kędzierski
voice coaching: Katarzyna Sitarz
graphic design: Michał Łuczak
production: Joanna Leśnierowska
coproduction: Art Stations Foundation by Grażyna Kulczyk
with support of: wpZimmer Antwerp, Visegrad Artist Residency Program for Performing Arts  (VARP-PA)






Thursday, October 29, 2015

Unfinishing / Costume & Set Design, September 2015

Michiel Keuper - Drum Kit Sculpture on optical illusion plinth for Unfinishing by Martin Nachbar, September 2016

In September I designed costumes and set for Unfinishing, a piece by Martin Nachbar in collaboration with drummer Steve Heather. It premiered in Sophiensaele (more info on the piece click here). The starting point for the costume was a contemporary form of shamanism. For the set I investigated in doubling and used the two pillars in the space as a center point. I replicated the drum kit Claes Oldenburg style in canvas. Also I made four optical illusion carpets/ plinths.

Dance: Martin Nachbar/ Drums: Steve Heather/ Dramaturgy: Jeroen Peeters/ Lights: Bruno Pocheron/ Costume, Set: Michiel Keuper/ Coaching: Zoe Knights/ Management: Susanne Beyer.

(All photos, video: Michiel Keuper)















Friday, January 02, 2015

Frieze d/e - Highlights of 2014


Holy! Two of the set designs I did in 2014 were mentioned in Astrid Kaminski's Highlights of 2014 on Frieze d/e Blog. Thank you for the opportunity Peter Pleyer and Jeremy Wade!

[English:]
"(...) In addition, Michiel Keuper, as already in my favorite participation piece, Jeremy Wade's Together Forever ( UA Hebbel am Ufer, Berlin), again made ​​a smart offer for the stage. This time, when he intervened with mottos of fashion, design and artifacts in the context of the pieces."

[German:]
"(...) Für mich die besten Ausnahmen und größten Gefühlsstücke des Jahres: Kat Válasturs fantastisch-dystopischer Rave Ah! Oh! – A Contemporary Ritual (zweite Serie aus The Marginal Sculptures of Newtopia, unterstützt vom Berliner Institut für Raumexperimente) und Peter Pleyers Visible Undercurrent.
Visible Undercurrent (UA Sophiensaele, Berlin) ist außerdem das Beste, was ich in diesem Jahr im Zusammenhang von Rekonstruktion und Reenactment gesehen habe: ein explizit ästhetischer und implizit politischer Rückblick auf Post-Postmodern Dance im Zeichen von AIDS und gender trouble der 1980er Jahre. Hier wird klar, wie aus Recherchematerial ein Stück wird. Schon allein das Kick-off-Gespräch der zwei gegensätzlichen Berliner Freie-Szene-Diven Sasha Waltz und Meg Stuart über ihr gemeinsames New Yorker WG-Jahr war ein historischer Moment. Darauf folgten sublime Reenactments ausgewählter 1980er-Jahre-Nummern mit einem sympathischen Quartett von Nachwuchs-Toptänzern. Außerdem hat Michiel Keuper, wie schon in meinem Lieblings-Partizipationsstück, Jeremy Wades Together Forever (UA Hebbel am Ufer, Berlin), wieder ein intelligentes Angebot für die Bühne gemacht. Diesmal, indem er mit Mottos aus Mode, Design und Artefakten in den Kontext der Stücke intervenierte."
Read the full article here: http://162.13.104.26/highlights-2014-astrid-kaminski/


Friday, December 19, 2014

Visible Undercurrent / Review, november 2014

Visible Undercurrent by Peter Pleyer, Sophiensaele Berlin, November 2014. The dancers, from left to right, Asaf Aharonson, Mor Demer, Marcio Canabarro and Paul Singh. Photo Michiel Keuper.

Last November I did costumes and set design for 'Visible Undercurrent', a dance performance by Peter Pleyer that premiered at Sophiensaele in Berlin. We got a great review in TAZ by Astrid Kaminski. The capture read: Form is Sensation. Click for the full read (in German) here


Visible Undercurrent, review by  Astrid Kaminski in TAZ, 17 November 2014.


Visible Undercurrent by Peter Pleyer, Sophiensaele Berlin, November 2014. The dancers, from left to right, Asaf Aharonson, Mor Demer, Marcio Canabarro and Paul Singh. Photo Michiel Keuper.